Skip to main content

What the Hell, Bro

I was doing a little bit of research in PhilMusic and the Yupangco forums when I came upon a really interesting thread in the former discussing why the general rock n' roll community had this tendency to look down upon the musical genre / niche emo. I know shoegaze is fast becoming the trend in the pop music scene (and along with emo, I have a pretty strong dislike for it), but the fact remains that emo was bashed by not one, not five, but almost all of the resident rock cultures from dreampop (the precursor of shoegaze, bitchez) to prog metal, so this was a rather intriguing topic.

After all, emo is still a form of music, and PhilMusic is the melting pot of Pinoy music on the 'net.

But the one thing that not even that admittedly educated discussion thread could do for me was establish the roots of emo and emocore, so I did the next best thing and checked Wikipedia.

Near the bottom part of the entry on emo, there was this short paragraph that caught my attention:

Gerard Way, the lead singer of My Chemical Romance stated in an interview that "emo is a pile of shit", and that his band was never emo.[30] Panic at the Disco also stated in an interview with NME: "emo is bullshit."[31] These two bands, however, tend to be classified as emo.

What. The. Hell. Bro.

Honestly speaking, I don't really mind emo, but I wasn't exposed to it much so I never really could make an educated opinion - all I know is that My Chemical Romance and Dashboard Confessional both sounded horrible. This dude I used to work with in Outblaze, though, played music from bands like Saosin and Coheed and Cambria so much that I eventually took the time to listen and found that while these folks exhibited emo-ish qualities, the music was erudite and were something I could learn to like (That same dude, by the way, is copyright owner of the title I used for this post haha).

But MCR . . . meh. What little respect I had for them vanished with what I just read. After all, everybody with even a little bit of gray matter knows that the band is known for being what could probably be the biggest emo band on the planet. How the hell could the vocalist say something so fake and poseur and sleep well at night?

Well, enough with that. Back to work for me.

[ segue: The fun thing about Wikipedia is that it has shown me twice now that two of the current pop trends in music (emo and shoegazer) were both established way before the 90's, and in a sense were the underground forms of musical art whilst classic, glam and grunge paraded their way through the airwaves, and it's rather comforting to know that before all the drama, the attention, the brouhaha, they were honest-to-goodness musical expressions that weren't marketable (haha). ]

Popular posts from this blog

Maynilad Water Chronicles: The Clusterf$%#, Part 2

This is the third post in our Maynilad Water chronicles. This time, we will talk about just how inept their record keeping skills are in the face of a massive overhaul in a given area. This involves a technique used by Meralco in high-risk areas called clustering, and is efficient – if utilized correctly. Needless to say, Maynilad has yet to be able to do this.

Maynilad Water Chronicles: The Curious Case of the Disappearing Meter

One of the biggest problems I’ve encountered these past few weeks is the inexplicable inefficiency of Maynilad Water. I don’t even know where to begin; this is how impossible the situation is. So I’ll go and separate things into multiple stories. This is the first case in this series.

The Parables of Juan Flavier

I remember my grade 4 Language professor fondly, because of many things. Firstly, because his first name—Henry—was such an oddity for a ten-year old Pinoy who mostly read American books but was surrounded with names like Jose Luis, Robertino, and other such remnants of our Spanish forefathers. Secondly because he was such a strict man who liked reading a lot. In hindsight, perhaps he wasn’t really as strict as I made him out to be. I was, quite possibly, just a child who had too much respect for authority back then, and would quail from the sight of a teacher who raised his voice even by just a bit. But the most memorable thing about Mr. Avecilla (that was his last name) was that one of his weekly projects for the class was the collection of Senator Juan Flavier’s—then DOH secretary— weekly parables. I forget which paper it was his stories appeared in, but Mr. Avecilla’s demands had us children scrambling for clippings of Senator Flavier’s stories around every Friday, I think it was....